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It wasn’t like Kaamini was oblivious to his lusty eyes staring at her but she could not do anything except adjust her pallu so that he would not see anything.

Though very rare some enthused artists have conceived on Ardhanarishvara line also Vishnu’s Ardhanarishvara images." Prof. Thyagarajan, Sudha Raghunathan, Prema Rangarajan, Anuradha Krishnamurthy, Pudukkottai Mahalinga Sastrigal, Sunita Nagarajan, P.Indian scriptures are clear in stating that a woman should always keep herself well adorned, it being necessary for the well-being of the whole house.The grammar of ornament has always been well developed in India and there is a piece of jewel for nearly each part of the body.Kaamini was a chubby thirty nine year old maid working in a rich household.She used to do most of the chores and was working with the family for almost four years. Sharma and he had a beautiful wife and two beautiful children.One was nineteen year old Rahul and the other was eleven year old Amit.Kaamini used to even bathe Amit so she was really close to the kids.Krishna was the ideal hero, and Radha the ideal heroine.Often the colorful legends surrounding his amorous adventures with female friends prove to be of supreme inspiration to artists.The major gods in Indian art traditions have all been given consorts. In their incarnate form they are explicit in their demonstrative attraction for the opposite sex. Their love for their husbands or lovers is often portrayed in an assertively earthy and sensual manner.Gods and goddesses represent a conscious duality, complementing each other. Ancient texts dwell at length on his exceptionally alluring countenance: a blue complexion soft like the monsoon cloud, shining locks of black hair framing a beautifully chiseled face, large lotus like eyes, wild -flower garlands around his neck, a yellow garment (pitambara) draped around his body, a crown of peacock feathers on his head, and a smile playing on his lips, it is in this manner that he is faithfully represented since the ancient times to the modern.